It’s been just under a year since On Animation last spoke with Glen Keane. At the time he was promoting his first short film, Duet. This year he’s back with another hand drawn short, Nephtali, a blend of hand drawn animation and live-action footage. Nephtali was created for the Paris Opera to coincide with the launch of their new digital stage, 3rd Stage.
Glen was personally invited to join a distinguished list of artists and filmmakers to help launch the 3rd Stage by Benjamin Millepied, the new Director of Dance for the Paris Opera. Benjamin and Glen first met while they were both working on projects at Google last year. I was fortunate enough to steal some of Glen’s time and gain more insight into the production of the short.
Disney Character Designer, Shiyoon Kim, recently put together the following pages based on the notes of master animator, Glen Keane.
By now I’m sure you’ve all seen Duet, Glen Keane’s latest edition to an ever growing body of inspiring work in animation. If you haven’t, treat yourself now. If you have a Moto X phone, watch it on device. At CTN Expo, Glen opened the show by talking about the production of Duet and some of the discoveries, challenges, and joys of directing his first short film. I was invited to sit down with Glen and talk about the film. Continue reading
Duet was released on Moto X and Moto G phones last night at midnight. With the release, Glen Keane has written a blog entry on Motorola’s site on the making of his Oscar nominated short film.
Throughout my 40 year career as an animator I have benefitted each time new technology crossed my path because it invariably forced me to become a better artist. In a similar way, Duet has stretched all of us creatively who worked on it.
If you don’t have either platform (Moto X or G), you can view the non-interactive version Motorola released earlier this year. However, having personally worked on the first short (Windy Day), I can tell you viewing these films in their native format is a must. The ability to control the camera as the audience re-defines what makes cinematic gems like this a viewing experience.
For the first minute or so Glen speaks french, then switches to English.